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・ Grease monkey
・ Grease Monkey (business)
・ Grease pencil
・ Grease trail
・ Grease trap
・ Grease trucks
・ Greased
・ Greased Lightnin'
・ Greased Lightnin' (song)
・ Greased Lightning
・ Greased Lightning (1919 film)
・ Greasemonkey
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・ Greaser
・ Greaser (derogatory)
Greaser (subculture)
・ Greaser Act
・ Greaser Petroglyph Site
・ Greaser's Palace
・ Greasertown, California
・ Greasestock
・ Greasewood
・ Greasewood Finnish Apostolic Lutheran Church
・ Greasewood, Arizona
・ Greasley
・ Greasley (surname)
・ Greasley v Cooke
・ Greason
・ Greasy
・ Greasy Corner, Arkansas


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Greaser (subculture) : ウィキペディア英語版
Greaser (subculture)

Greasers were a working class youth subculture that originated in the 1950s among teenagers in the United States. Rock and roll music, especially rockabilly, was a major part of the culture, and styles were influenced by singers like Elvis Presley, Eddie Cochran, Gene Vincent, Johnny Burnette, Vince Taylor and Ritchie Valens, but the two main figures of the look were Marlon Brando and James Dean. In the 1950s, 1960s, these youths were also known as "hoods," as in "hoodlums." This may be because the style was more popular in poor neighborhoods that had higher crime rates than upper-class neighborhoods.
The name "greaser" came from their greased-back hairstyle, which involved combing back hair using hair wax, hair gel, creams, tonics or pomade. The term "greaser" reappeared in later decades as part of a revival of 1950s popular culture. One of the first manifestations of this revival was a 1971 American 7 Up television commercial that featured a 1950s greaser saying "Hey remember me? I'm the teen angel." The music act Sha Na Na also played a major role in the revivals.
Although the greaser subculture was largely a North American youth phenomenon, there were similar subcultures in the United Kingdom, Australia, Italy, Japan, France, Sweden, Germany, New Zealand and South Africa. In Sweden they are called raggare. The 1950s and 1960s British equivalent was the rocker, also known as a ton-up boy. Unlike British rockers, who were exclusively bikers, North American greasers were known more for their love of hot rods and muscle cars, but not necessarily motorcycles. Both subcultures are known for being fans of 1950s Doo Wop, Rock and roll, and rockabilly music.
During the 1950s, women also became a part of greaser culture. Like men, they joined motorcycle gangs and wore jackets displaying their group's or gang's name. The women who were involved in gangs typically did not fight side-by-side with male gangs, but they did fight rival female gangs in the 1950s. Women were often depicted as the property of male motorcycle gang members.
== Fashion ==

Clothing usually worn by greasers included fitted T-shirts in white or black (often with the sleeves rolled up), ringer T-shirts, Italian knit shirts, Baseball shirts, bowling shirts, "Daddy-O"-style shirts, denim and leather jackets, black or blue jeans (with rolled-up cuffs anywhere from one to four inches), baggy cotton twill work trousers, black leather pants or vests, bomber jackets, letterman jackets, tank tops, khaki pants and suits. Common accessories included bandanas, black leather gloves, fedoras, motorcycle helmets, vintage leather caps, stingy-brim hats, flat caps and chain wallets. Common footwear included motorcycle boots (such as harness boots or engineer boots), army boots, winklepickers, brothel creepers, cowboy boots and Converse Chuck Taylor All-Stars.
Typical hairstyles included the pompadour, the Duck's ass, S-Curls, Finger Waves, Afros with parts or shaped like pompadours, and the more combed-back "Folsom" style. These hairstyles were held in place with pomade such as Murray's or Royal Crown, wax, or hair creams such as Brylcreem.
The pompadour hair style worn by greasers has been adopted by those enamoured with vintage culture of the late 1950s and early 1960s, which includes hot rodsmuscle cars, American folk music, rockabilly bands, and Elvis Presley, as well as actors such as James Dean and Desi Arnaz
The leather jacket, as popularized by pilots during World War II, became an icon of greaser culture. Compared with the previous decades, the 1950s were considered dull and the youths craved a new sense of adventure. The leather jacket marked greaser youths as daring and adventuresome young men, like the pilot heroes of a recent war.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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